Category Archives: music

My Top 16 Albums of 2016

It’s that time of the year again. As is the case for me each year, I go with what moves move me. While I refer to year-end lists, many of my favorites won’t be found on their tabulations. In actuality, the major music publications and sites end up being fairly homogeneous anyways. Here is how I determined what swayed me musically in 2016. I peruse and listen to most of…

1. Spotify new music releases
2. Spotify “Discover Weekly” (an algorithmically personalized playlist of mostly new artists that I likely haven’t heard but fit my preferences)
3. Swarm.fm (aggregates new releases of my Spotify followed artists)
4. Allmusic new music releases
5. iTunes new indie releases
6. Metacritic new music releases

And since it’s 2016, naturally, here are my top 16 albums in ’16…

Top 16 Albums of 2016

16. Myzica: Love + Desire

“…a glossy slab of synth, breezy melodies and a jangly hook…” Paste Magazine

“It’s unpretentious, casual, authentic pop…” Nashville Scene

15. Paper Lions: Full Colour

“A heavenly fusion of modern sounds and glorious 80s influences, this is high rotation stuff…a work of masterful pop, capitalizing on four very talented musicians abilities and their clear love of all things 80s. It’s an instantly accessible, highly rotational outing…” The Lowdown Under

14. The Head and the Heart: Signs of Light

“The Head and the Heart moved away from ‘folksiness’ to embrace a bigger, bolder musical vision — one filled with louder guitars, heavier rhythms and bigger arrangements, all encased in gorgeous vocal harmonies…” The Current

13. Two Door Cinema: Gameshow

“…their twitchy but undeniably danceable electropop/rock has long been soul- and disco-adjacent.” Consequence of Sound

“Its main currency is glossy pop-funk with a twist of 1980s AOR sieved through latterday production techniques: a bit of filtered house here, an EDMish synth noise there.” The Guardian

12. Fort Frances: Alio

“Fort Frances’ Alio is a sort of record that breathes and exists somewhat outside of the sphere of the horizon-less Spotify shuffle. These are, pound for pound, the Chicago-based trio’s catchiest songs to date…they have created a bona fide rock album that not only ceases to forfeit the roots of where they come from but ramps up the urgency, musicianship and sense of adventurousness across the board.” Denim on Wax

11. Grouplove: Big Mess

“Grouplove’s newest piece delivered just what you wouldn’t expect: an odd-looking, weirdly-sounding collection of fond memories and brutal truths wrapped up in a fantastically-crafted manifestation of dynamic indie rock.”  Niner Times

10. Bon Iver: 22, A Million

“Bon Iver’s first album in five years takes an unexpected turn toward the strange and experimental. But behind the arranged glitches and processed voices are deeply felt songs about uncertainty… 22, A Million sounds only like itself. There are precedents for all of Vernon’s moves deep in the histories of rock‘n’roll and rhythm and blues and electronic music…But this particular amalgamation is so twitchy and idiosyncratic it feels truly singular. Its searching is bottomless.” Pitchfork

9. Wintersleep: The Great Detachment

“Every element of the album’s production – from the song writing through to the record’s mastering – shouts the band’s ambition, with songs featuring call-and-response and sing-along friendly lyrics, and the volume levels and EQs set for maximum punch over the radio waves. ” Renowned for Sound

“…in adding a layer of freshness to their sound, and a rousing new collection of songs to their catalogue, they feel like a band invigorated.” Loud and Quiet

8. Kwabs: Love + War

“[The] accommodation of opposites is one of the key attractions of Love + War, with the warm, intensely human timbre of Kwabs’s voice held in prickly equilibrium with the chilly electro arrangements…There’s a strange synergy in operation here, as their keyboard pads, handclap grooves and sharp, cracking synthetic snare sounds chip away at his humanity, while also steering him firmly towards the future.” Independent

“Kwabs certainly possesses a formidable vocal instrument – a luscious, impressively controlled baritone which one minute can soar with sublime grace, the next can make the skin crawl through deep, breathy intimacy.” Drowned in Sound

7. Francis: Marathon

“Swedish alternative musicians Francis return with their sophomore album, softening the experimental post-punk folk of their early music into more subtle, gentle melodies and contemplative lyrics. Francis have stripped their music to the bare bones…and embracing the simplicity of soothing guitar sounds and drum beats.” GIGsoup

“On first listening, each track could almost blur into one but there is something warm and welcoming about Marathon, and something sharply intelligent that invites you to delve a little deeper with each listening.” The London Economic

6. Cub Sport: This is Our Vice

“This is Our Vice is a glistening, hypercolour pop record, boasting hooks that could melt into your mouth…and hitherto-unseen production sheen. Sonically, the record sends guitars off into the distance, builds giant pyramids out of layers of synths and launches the intertwined vocal arrangements into the proverbial stratosphere.” Faster Louder

“Cub Sport‘s sound is grounded in Aussie indie pop, based around hook-filled melodies, anthemic choruses, and sophisticated arrangements.” Pop Matters

5. Eliot Sumner: Information

“Sumner changes things up a bit, going for a darker electro-rock vibe that perfectly propels her storytelling vocals. Her vocals sound eerily reminiscent of Sting – who by the way is her dad – with an androgynous, husky tone and studied intonation…the record is full of darker, 80s-tinged synths.” Seattle Music News

“As a whole, the album is nuanced; individually, the songs are flawlessly written, dark explorations of 80s genres. Sumner provides her own lush take on moody electronic rock, and rather than feeling pretentious, these songs are genuine, and masterfully executed.” Renowned for Sound

4. Local Natives: Sunlit Youth

“Far from the indie-folk of their earlier days, Sunlit Youth leans heavily on the synths and flirts with big-melody pop forms.” Pitchfork

“These are traditional Local Natives songs dressed in a glittering neon overcoat. The strings that marked the band’s early work are mostly missing, replaced by swirling synths that play against the guitar lines. Huge choruses are underpinned by throbbing grooves.” Consequence of Sound

3. Leagues: Alone Together

“Take the murkier aspects of Howard Jones, Human League, Gary Numan and New Order, fold in some dark, intermittently cynical, more often alienated lyrics and you’ve got an edgy, retro-leaning yet contemporary album as effective on the dance floor as it is at home…” American Songwriter

2. Frightened Rabbit: Painting of a Panic Attack

“With all of these factors in mind—frayed internal relationships within the band, general fatigue and a successful solo album—one would think that the writing would be on the wall for this record. But the end result is the exact opposite; Painting of a Panic Attack is a triumph for a veteran band and represents one of their best efforts to date…Frightened Rabbit evolve the right way with this release, changing their sound, but not so much that they lose their trademark sound. This is still the Frightened Rabbit we all know and love, as gloomy as we last heard from them.” Paste Magazine

“Painting of a Panic Attack is more a sensible repositioning than a reinvention…maybe Frightened Rabbit have just gotten too good at their formula for it to not seem self-aware. And too often, the title of Painting of a Panic Attack serves as an unintentional reminder of the way Hutchison comes across: like a television version of a person with a broken heart.” Pitchfork

And my top album this year…

1. Bear’s Den: Red Earth + Pouring Rain

“…this London-based band have carefully crafted a second album which showcases a euphoric step forward and poignant growth in their musicality…Every piece of Red Earth & Pouring Rain is so undeniably delicate and intricate, like an antique family heirloom, it even makes you question how hard you hit the play button for fear of damage. But it’s the aforementioned heartfelt lyrics that really make you take care.” Clash

“…it seems only natural that Bear’s Dan should expand their sonic palette too. The result is a record steeped in pop polish and the grandeur of Seventies and Eighties rock, yet rooted in the lilting folk of its predecessor.” Drowned in Sound

Honorable Mention:

Adele: 25
ANIMA!: self-titled
Barcelona: Basic Man
Bell X1: Arms
D.D. Dumbo: Utopia Defeated
Dawes: We’re All Going to Die
Glass Animals: How to Be a Human Being
Jack Garrett: Phases
Jarryd James: High
Jinja Safari: Crescent Moon
Joan as Police Woman: Let it Be You
Jones: New Skin
Joseph: I’m Alone, No You’re Not
Parachute: Wide Awake
POP ETC: Souvenir
Ready Set: I Will Be Nothing Without Your Love
Pete Yorn: ArrangingTime
Young the Giant: Home of the Strange

Here is a look back at my #1 albums from years past:

2015: Oh Wonder Self-titled
2014: Bear HandsDistraction
2013: Frightened RabbitsPedestrian Verse
2012: Sea WolfOld World Romance
2011: Foster the PeopleTorches

My Top 15 Albums of 2015

radio-964684_1280

This has been the best year for music I have ever experienced, hands down. It may be that I have figured out how to listen to more music in a shorter amount of time and in the end, I’ve been exposed to more great music than ever before. Here is my weekly process. I peruse:

1. Spotify new music releases
2. Spotify “Discover Weekly” (an algorithmically personalized playlist of mostly new artists that I haven’t heard of, that also fits my somewhat narrow likes)
3. Allmusic new music releases
4. iTunes new indie releases
5. Metacritic new music releases
6. America’s Music Charts new entries (those that charted for the first time that week)

As for my rankings each year, I go with my gut. I don’t let year-end lists sway me very much other than to see if there were any records I still need to listen to. In fact, you probably won’t find many of my favorite albums on other’s lists. Most major publications/websites all seem to like the same people anyways – with a few exceptions, of course.

So, without any further ado, these are the top 15 albums that moved me in the year ’15…

15. Susanne Sundfør: Ten Love Songs | Off-kilter electro-pop beamed in from another planet, menancing, eerie and resolutely downbeat but always accessible.

14. Wildcat! Wildcat!: No Moon At All | Indie-pop, dance-rock “anthems made for night driving toward nothingness, the neon nihilism of the most American of all cities not named Chicago or Las Vegas.” Pop Matters

13. Low: Ones & Sixes | Slowcore vets keep the airy, luscious backing vocals and sparse, gritty instrumentation rolling on their newest, but up the ante on an immediacy and liveliness missing from their most recent records.

12. Swiss Lips: Overflowing Futures | I want to dance with somebody! An album of previously unreleased material and remixes that is better than its straight-ahead self-titled release earlier in the year that straddles early 80´s disco and modernity.

11. Lemelo: Red Right Return | Subtlety and minimalism reigns supreme on this organic dream pop, accented by smoky, intimate vocals.

10. Pure Bathing Culture: Pray for Rain | Blurred around the edges but with real substance – glazed, left-field pop at its best.

9. Chad Valley: Entirely New Blue | Soulful, digital dream-pop that is uplifting yet intermingled with a slightly melancholic atmosphere.

8. COIN: self-titled | An amalgamation of post-80’s nostalgia and California pop, as mellow as it is vivacious.

7. Lost Lander: Medallion | Built around synths, communal vocals, and chamber elements, the sophomore effort from these Portlandians has a breathtaking bounciness that makes it soar.

6. WATERS: What’s Real | Equal parts radio rock and heart-on-sleeve-indie vibes, purring with high- strung guitars and convulsive percussion.

5. The Japanese House: Pools to Bath In EP and Clean EP | A stellar showcase of talented songwriting and exquisite musicianship – soothing, hypnotizing, electro-folk.

4. The Dø: Shake, Shook, Shaken | The ridiculously catchy shift in sound fits. Restless electro-pop replete with sparkles and musical curiosity.

3. JR JR: self-titled | Whimsical and addictive indie pop that is bursting with sleek intensity. Even better than its predecessor. Not a track to be missed here.

2. Everything Everything: Get to Heaven | No sophomore slump here. Complex art-pop, boisterous and unorthodox, that mirrors the broken, discomforting world we live in.

And my top album this year…

ohwonder

1. Oh Wonder: self-titled | The hookiest melodies you ever did hear betwixt haunting and subdued chill synth-pop and delicate vocals from this UK duo. Every track is truly confident and sublime – which is rare for any album. Best of the year.

Here is a look back at my #1 albums from years past:

2014: Bear HandsDistraction
2013: Frightened RabbitsPedestrian Verse
2012: Sea WolfOld World Romance
2011: Foster the PeopleTorches

Going Deeper: Resources for Psalm 124

PilgrimSongsWeekly

Each week, I plan to help the church I serve at as preaching pastor with additional resources to help them go deeper in their study of the Scriptures from the previous week’s sermon. This past Sunday at Mercyview, we looked at Psalm 124:1-8 in our summer sermon series, “Pilgrim Songs: The Psalms of Ascent,” in a sermon entitled, “Divine Deliverance.”

Commentary/Book(s)

James M. Boice: Psalm 124, “If,” from Psalms, Vol. 3 (Psalms 107-150) (Expositional Commentary)

Derek Kidner: Psalm 124, “When Earthly Armour Faileth,” from Psalms 73-150 (Kidner Classic Commentaries)

Tremper Longman III: Psalm 124, “The Lord is on our side,” from Psalms (Tyndale Old Testament Commentaries)

Eugene Peterson: Chapter 6, “Help,” from A Long Obedience in the Same Direction: Discipleship in an Instant Society

Josh Moody: Chapter 5, “Danger,” from Journey to Joy: The Psalms of Ascent

Charles Spurgeon: Psalm 124 from The Treasury of David

John Calvin: Commentary on Psalm 124

Article(s)

Jon Bloom: “When God Seems Silent” (Desiring God)

James Emery White: “The Silence of God” (Crosswalk)

Quote(s)

Has God trusted you with His silence…? God’s silences are actually His answers…His silence is the sign that He is bringing you into an even more wonderful understanding of Himself. Are you mourning before God because you have not had an audible response? When you cannot hear God, you will find that He has trusted you in the most intimate way possible— with absolute silence, not a silence of despair, but one of pleasure, because He saw that you could withstand an even bigger revelation. If God has given you a silence, then praise Him— He is bringing you into the mainstream of His purposes. The actual evidence of the answer in time is simply a matter of God’s sovereignty. Time is nothing to God…A wonderful thing about God’s silence is that His stillness is contagious— it gets into you, causing you to become perfectly confident so that you can honestly say, ‘I know that God has heard me.’ His silence is the very proof that He has.

–Oswald Chambers

Music

“Rescue” by Jared Anderson

“Deliver Me” by David Crowder

“The Silence of God” by Andrew Peterson